«What distinguishes holography is that the viewer is implicated, their movement is integral to the unfolding of the image»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 35.
«What distinguishes holography is that the viewer is implicated, their movement is integral to the unfolding of the image»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 35.
«This embodied encounter makes holography an art of interactivity before the advent of digital computation» (p. 36).
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 36.
«The viewer’s curiosity to look around and through the image is the very means by which the holographic scene is performed» (p. 38).
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 38.
“Events are increasingly incorporating multimedia technologies such as large-scale projection, LED screens, and augmented reality to enhance audience engagement and create memorable experiences.”
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 19.
“Opening ceremonies for mega-events such as the Olympics increasingly utilise projection mapping and holographic effects to convey narratives, cultural identity and to create visual spectacle.”
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 84.
“The role of the event director now encompasses an understanding of multimedia integration, requiring both creative vision and technical knowledge to orchestrate complex performances.”
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 142.
«Holography complicates the photographic paradigm of image capture by distributing points of view across a field that is perceptually activated through movement» (p. 22).
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 22.
«Conventionally, a hologram offers a view into a single space; a window onto a scene. The term ʻhologramʼ, refers to both a method of encoding a spatial image within a physical surface and the reconstructed optical image that is produced through the diffraction of light as it meets with that surface»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 3.
«The holographic scene emerges as a situation where perception is shaped through the interrelation of movement, light and surface» (p. 27).
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 27.
“The strategic use of lighting, projection and sound can transform an event space, influencing audience emotions and shaping their overall experience.”
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 215.
“Future ceremonies will likely see greater use of immersive technologies, including holography and real-time audience interaction systems.”
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 312.
"At the heart of this submission is a consideration for how events are experienced and what factors and components contribute to the depth of that experience."
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 6.
"Event design should incorporate sensory elements including visual, auditory, and tactile components to create an immersive audience experience."
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 18.
"Effective design in events is crucial to attendee engagement and experience, thus there is a need for event management to develop reflective practice around design."
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 9.
«By creating holographic scenes that link a dynamic perspective to physical movement the research projects are designed to tackle the relatively ignored role of a shared movement between the scene and the viewer»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 14.
«In designing holographic scenes I assemble a non-Euclidian ʻperceptivityʼ by establishing a mimetic reference to the spatially dynamic imagery»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 15.
"It led to an emerging paradigm of the relationship between event, design and experience."
Graham Berridge, Event experiences: design, management and impact. PhD Thesis, 2015, p. 35
«This research explores the multiplex or stencilled hologram, which divides the perspective window so that the viewer moving around the hologram perceives a composition of views, superimposed into a holographic scene»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 3.
«The ephemeral aesthetic quality of optical holographic images produces a sense of form and structure without materiality. It is as if we can look around an implicate structure, into a scene of relationships that create forces and forms»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 18.
«This research articulates a design practice of holography that focuses on the relationship between bodily movement and the experience of space, where the hologram becomes a device that guides and structures a felt relation between movement and spatial experience»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 3.
«Using the medium of holography this research also offers a new way of addressing our concept of place as a cross-referencing of perceptual experience»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 11.
«The interference pattern that is fundamental to holographic recording can also be used to map movement as a change in position»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 13.
«As long as I can remember I have been experimenting with the capture of images. Making shadowgrams with my father in our laundry-turned-darkroom, I became fascinated by the suggestion of form by shadows and the shaping of light with optics»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 8.
«My research emerged from physically manipulating optics in the laboratory and through photography and video into a design practice of holographic image installation»
Martina Mrongovius.The Emergent Holographic Scene. PhD Thesis, 2011, p. 9.